Blue Notes – 40″ x 52″ : oil on canvas

The John Natsoulas Gallery in Davis, CA will show four of Carol’s paintings in its International Still Life Exhibition.

The show will feature artists from England, Poland, Spain, and Italy, as well as artists from our own United States. It will bring together historical and contemporary references for the still life with paintings by Guy Diehl, Boyd Gavin, Frank Damiano, Gregory Kondos, Wayne Thiebaud and other renowned US artists; international artists will include James Bland (England), Ilaria Roselli Del Turco (Italy) and Agnieszka Nienartowicz (Poland) among others.

The exhibition will run from January 3-January 27, 2018. The opening reception will be on January 6, from 7-9pm.

Address: 521 1st Street, Davis CA 95616

Carol produced work for this exhibition with financial support from the Ohio Arts Council and the Greater Columbus Arts Council.

Stacked and Patterned II

Carol is participating in Columbus Open Studio and Stage, a unique two day event that allows you to explore artist studios and behind the stage at performing art venues.  Meet and speak with working artists about their process and inspiration.

Carol will host a Studio Open House at Milo Arts October 7 & 8, 2017, 11am-5pm.  Milo Arts is located at 617 E. 3rd Ave., Columbus, OH 43201.

Tour Map Tickets can be picked up at Carol Stewart’s studio after purchasing them online at: www.columbusopenstudioandstage.com

Carol produced work for this exhibition with financial support from the Ohio Arts Council and the Greater Columbus Arts Council.

Carol is pleased to have joined Zeuxis, an association of still life painters.

Zeuxis was founded by Phyllis Floyd and several of her painter colleagues in her New York City loft in 1994.  Since then, Zeuxis exhibitions have appeared in over 50 commercial galleries, museums, and college exhibition spaces across the country. These shows have been reviewed in The New York Times, The New York Observer, The New York Sun, and numerous other publications.

This activity is supported by a Professional Development Grant from the Greater Columbus Arts Council.

Jaipur Boxes

You can see Carol’s work at Sherry Leedy Contemporary Art: The Summer Invitational. The exhibition will be open from June 2nd – August 19th, 2017.

Sherry Leedy Contemporary Art is located in the heart of the Crossroads Arts District of Kansas City, Missouri. The gallery is on the first floor of the historic Opie Brush Building.

Learn more

Anemones

The Butler Institute of American Art has chosen Carol’s painting, Anemones (2017 oil on paper on panel 22″ x 24″) for inclusion in its 81st National Midyear Exhibition.  The 81st National Midyear Exhibition presents two dimensional works by contemporary artists who reside within the 50 United States or its possessions. 900 works of art by over 300 artists from 26 states were entered for consideration. Of these, 83 works of art were selected.

The exhibition will be held from July 9th to August 20th, 2017, with the opening reception from 1-3 pm on July 9th.  More information

Carol’s latest show was favorably reviewed by Liz Trapp, an art historian, arts writer, and artist.  The review, under the heading Discerning Patterns at Hammond Harkins Galleries Places Impeccable Craftsmanship on View
can be found in the Columbus Underground.

“An evocative show of over 30 works examines the relationship between craft and fine art.

Discerning Patterns, an exhibition of Carol Stewart’s paintings and Janice Lessman-Moss’s textile works at Hammond Harkins Galleries, is inspired by the interplay of color, pattern, and impeccable craftsmanship which is present in both artists’ works.

Stewart, a Columbus-based still-life painter, and Lessman-Moss, a professor of Textile Arts at Kent State University, are tethered together by references to domesticity, and yet Discerning Patterns is after something larger than that. This exhibition brings up complex and relevant issues of fine art, a context that Stewart’s paintings would traditionally belong to, versus craft, the context that Lessman-Moss’s textile works would belong to. In recent history, since the 1940s or so, craft has taken a backseat to fine art in the context of the gallery setting. Aside from that, craft is typically analyzed through a varied set of terms that center on functionality and use-value.  What sets Discerning Patterns apart is the requirement that the viewer give equal space to each object, and therefore analyze the works through a fixed lens.

Stewart’s paintings, mostly still-life and interior scenes, are tied to representation. There are moments in Stewart’s paintings where her loose brushwork seems to define something else, elements of pattern which aren’t tied to objects at all. Studio Patterns is exemplary of Stewart’s aim. Using oil on paper, mounted on canvas, Stewart achieves a buttery smooth surface to her images. The absorption of the oil into the paper creates evident transparent layers of paint which are often hidden in the medium.

The painting is an interior scene of Stewart’s studio, packed with too many plants, tables with patterned cloths, a textile draped in the background –  it’s so busy that your eye doesn’t have a place to rest. This is an important aspect of the work because it is the packed picture plane itself which seems to transform the canvas to an abstract pattern forcing it to depart from observational reality. This reminds me of the French painter, Henri Matisse’s lively interiors of the early 20th century where his very aim was not to let the eye rest.”  More